Transitioning from tenor to baritone through the lens of an amateur singer
| 第一著者: | |
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| フォーマット: | 学位論文 |
| 言語: | 英語 |
| 出版事項: |
2023
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| 主題: | |
| オンライン･アクセス: | https://ir.upsi.edu.my/detailsg.php?det=13399 |
| Abstract | Abstract here |
| _version_ | 1855626389081817088 |
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| author | Oskar, Musaev |
| author_facet | Oskar, Musaev |
| author_sort | Oskar, Musaev |
| description | |
| format | Thesis |
| id | upsi-13399 |
| institution | Universiti Pendidikan Sultan Idris |
| language | English |
| publishDate | 2023 |
| record_format | sWADAH |
| record_pdf | Restricted |
| spelling | upsi-133992025-10-07 Transitioning from tenor to baritone through the lens of an amateur singer 2023 Oskar, Musaev ML Literature of music <p>Identifying one_s vocal range whether tenor or baritone may be a challenging endeavour when the singer_s voice quality tends to overlap both categories. For an amateur singer it will be significantly constructive to know one_s voice range identity to enhance selection of repertoire or optimise performance. This thesis is based on the author_s prior experience of vocal misclassification leading to confusion, ambivalence in choosing repertoire and general vocal discomfort. The objective of this thesis is to enable a young singer to gain control of his vocal identity through developing goals that 1) facilitate a change in vocal fache 2) gain competency of the stylistic demands in repertoire for change of vocal fache 3) perform and reflect upon a variety of repertoire that facilitates the transition of vocal fache. These objectives are performed, reflected upon and mastered through a practice-led research. The discussion in this thesis is based upon a practical standpoint of a young developing singer transitioning from a tenor to baritone. The outcome is several recitals that facilitate the process of gaining competency as a tenor transitioning into a baritone. Keywords: baritone repertoire, practice led research, artistic reflection, breathing technique, vocal performance, singing</p> 2023 thesis https://ir.upsi.edu.my/detailsg.php?det=13399 https://ir.upsi.edu.my/detailsg.php?det=13399 text eng N/A openAccess Masters Perpustakaan Tuanku Bainun Fakulti Muzik dan Seni Persembahan <p>Adams, W. M. (2002). Elements of Form and Unity in Songs of Travel by William M. Adams. The Journal of Ralph Vaughan William Society.</p><p>Allen, S. (Performer). (2005). Great Operatic Arias. [D. Parry, Conductor] Colchester, Essex, England.</p><p>Argyris, C., & Schn, D. (1978). Organizational learning: A theory of action perspective. Reading: Mass: Addison Wesley.</p><p>Baildon, H. (1901). Robert Louis Stevenson; a life study in criticism. New York: A. Wessels Co.</p><p>Banfield, S. (2001). Sensibility and English Song: Critical studies of the early twentieth century. Cambridge: Cambridge University Press.</p><p>Celletti, R. (1996). A History of Bel Canto. Michigan: Clarendon Press.</p><p>Claxton, G. (2000). Hare brain, tortoise mind. New York: Harper Collins.</p><p>Coessens, K., Crispin, D., & Douglas, A. (2009). The Artistic Turn: A Manifesto. Flanders: Orpheus Instituut.</p><p>Cooper, I. (1950). The Junior High School Choral Problem. Music Educators Journal, 37: 20.</p><p>Davies, D. T. (1905). The singing of the future. London: J. Lane.</p><p>Han, S.-H. (2006). Transcending the Fach: A search for identity inside and outside of mezzo-soprano repertoire, DMA diss. University of Maryland at College Park.</p><p>Linklater, K. (2006). Freeing the natural voice. Drama Publishing.</p><p>Makarova, V. (2016). Personal communication.</p><p>McClellan, M. (2004). In C. J. Murray, Encyclopedia of the Romantic Era 1760-1850 A-L. Taylor and Francis.</p><p>MedeaTV. (12 12 2013 ..). Susan Kozel: Phenomenology -Practice Based Research in the Arts, Stanford University. ........ 7 8 2017 .., .. Youtube.com: https://www.youtube.com/watch?v=mv7Vp3NPKw4</p><p>Penny, J. (2014). Reflections on Practice-led Research Methods and their Application in Music Performance Research. Malaysian Music Journal Vol. 3, Num. 2, 8492.</p><p>Potter, J. (2007). The tenorcastrato connection. Early Music, 99.</p><p>Randel, D. (1999). The Harvard Concise Dictionary of Music and Musicians. Harvard University Press.</p><p>Reid, C. L. (1983). A dictionary of vocal terminology: an analysis. New York: J. Patelson Music House.</p><p>Rubidge, S. (1 July 2004 ..). Artists in the academy: reflections on artistic practice as research. ........ 29 October 2015 .., .. http://ausdance.org.au/articles/details/artists-in-the-academy-reflections-onartistic-practice-as-research</p><p>Rubin, J. S. (2006). Vocal and Respiratory Anatomy and Physiology. In J. L. Chapman, Singing and Teching Singing: A Holistic Approach to Classical Voice (pp. 191,192). San Diego: Plural Pulishing, Inc.</p><p>Rutherford, S. (2009). The Prima Donna and Opera. Cambridge: Cambridge University Press.</p><p>S, J. (n.d.). Vaughan Williams: -Two way vision. BBC Proms Guide 2008.</p><p>Salomoni S, v. d. (2016, 5 9). Breathing and Singing: Objective Characterization of Breathing Patterns in Classical Singers. (C. Larson, Ed.) Retrieved 8 9, 2017, from PLOS: https://doi.org/10.1371/journal.pone.0155084</p><p>Smith, J. A. (1971). Robert Louis Stevenson: Collected Poems. London: Rupert Hart-Davis.</p><p>Smith, M. K. (2001). Donald Schon: Learning, reflection and change, the encyclopedia of informal education. Retrieved 5 2013, from www.infed.org/thinkers/et-schon.htm.</p><p>Tenelli, F. (Director). (2012). Tenor warm up with Franco Tenelli : appoggio warm ups (one registral warm ups) [Motion Picture].</p><p>Winnie, B. J. (2014). CONTEMPORARY VOCAL TECHNIQUE IN THE CHORAL REHEARSAL: Washington D.C.: University of Washington.</p><p>Zajackowski, H. (2005). An Introduction to Tchaikovsky's Operas. Praeger.</p><p></p> |
| spellingShingle | ML Literature of music Oskar, Musaev Transitioning from tenor to baritone through the lens of an amateur singer |
| thesis_level | Master |
| title | Transitioning from tenor to baritone through the lens of an amateur singer |
| title_full | Transitioning from tenor to baritone through the lens of an amateur singer |
| title_fullStr | Transitioning from tenor to baritone through the lens of an amateur singer |
| title_full_unstemmed | Transitioning from tenor to baritone through the lens of an amateur singer |
| title_short | Transitioning from tenor to baritone through the lens of an amateur singer |
| title_sort | transitioning from tenor to baritone through the lens of an amateur singer |
| topic | ML Literature of music |
| url | https://ir.upsi.edu.my/detailsg.php?det=13399 |
| work_keys_str_mv | AT oskarmusaev transitioningfromtenortobaritonethroughthelensofanamateursinger |